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Provocative critique against all sorts of value systems always have been part of Maurizio Cattelan’s work: In 1999, he created a life-size wax figure of the Polish-born pope John Paul II, which was struck by a meteorite for a show in Catholic Poland.
Just like Andy Warhol, Mr. Cattelan also has had a background in advertising before he focused entirely on art. It is evident that his art works quickly - like a sculptural cartoon. It provides perfect products for an art fair, where you see a large number of works in a short time. I like some of his works, because they appear surreal and funny, however I don’t think they can retain one’s fascination for very long.
Maurizio Cattelan proclaimed to retire from his artistic practise after this show. In an interview, he stated that he would like to work as an assistant to mega-dealer Larry Gagosian. Most likely, both will not be true. In fact, it could be just another joke or statement of institutional critique: In 1964, Andy Warhol also proclaimed that he would retire from art in favour of his film career. Of course, he maintained the artistic practise of his factory, but the prices of his works gained in value afterwards.
I consider Mr. Cattelan's statement just another move within Nicolas Bourriaud’s logic of relational aesthetics, where the artistic practise focuses rather on the holistic social contexts of society and making / dealing with art, rather than a subjecivel perspective only.
By UGL.
Maurizio Cattelan: ‘All’ at the Guggenheim Museum, New York
Through 22nd January 2012
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