When the recent Art Cologne ended some 56,600 visitors attended the fair. In currently difficult times this is an acceptable number.
Director Daniel Hug moved the mother of all art fairs in the right direction:
- There were less galleries
- The overall quality of the works was ok
- Important galleries came back
- Critics have cleverly been integrated in the making of the fair
- The region and city provided an additional framework for the fair
But there were also external factors not even Mr. Hug would have been able to influence:
- The German art scene has been shifting from Rhineland to Berlin.
- The economic crisis doesn't make it easier for art fairs in gerneral.
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Annely Juda Gallery, London, is targeting at this group of collectors with a Christo wrapped sculpture and a beautiful landscape painting by David Hockney. (There is a Hockney landscape exhibition starting in May at the private Würth Museum.)
Mr. Hug has managed to form a joint effort of the region's cultural institutions to create an attractive framework during the art fair. I just want to point out the excellent Christopher Wool retrospective at the Ludwig Museum in Cologne.
I would not agree to the voices who now praise Art Cologne as new rising star of art fairs. It is certainly not yet an Art Basel or Frieze or Armory show. If Art Cologne wants to rival these, it will take some more years. But, thanks to Daniel Haug, the direction is the right one.
by K. L.
I miss the times (in the 80s) when Cologne was the epicenter of contemporary!
It was always great fun with Kippi... ;-)