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- Michael E. Smith: 'Without title' courtesy of KOW Berlin Gallery (c) the artist, photo by PAS
It is a frequent tradition of avant-garde to abandon painting as dead form of art. The Detroit-based artist, Michael E. Smith, seems to refer to this attitude, by putting old socks into a plastic container of yellow coloured water and highlighting it by a spotlight.
- Michael Möller: 'Yes or No, No or Yes, or No and No' of 2011, ceramic tiles, black lacquer and aluminium frames, each 152cm x 107 cm; (c) the artist courtesy by Galerie Thomas Schulte, Berlin; photo by PAS
There were interesting pieces by the young German artist Michael Müller, made from ceramic tiles, black lacquer and aluminium frames.
- Serge Alain Nitegeka (c) the artist courtesy by Michael Stevenson Gallery; photo by PAS
Very convincing were also the paintings by the Burundi-born South-African painter Serge Alain Nitegeka. He paints on wood and plays very confidently with abstraction and representation in different layers of paint.
- Pablo Rasgado: 'Unfolded Architecture (Museum Walls)', of 2011, drywall and acrylic paint on wood, 200 x 210 cm; (c) the artist courtesy of Arratia, Beer; photo by PAS
The 1984-born Mexican artist Pablo Rasgado even makes the museum walls his material: he cut out a piece of the wall's plasterboard, painted it partly and featured the reverse side just around the corner.
- Daniel Buren: 'Les Visages Colorés', of 2005; vinyl on bronce mirror, each 210 x 200 cm (c) the artist courtesy Buchmann Galerie, photo byPAS
There were well-established positions, by artists like Daniel Buren, Erik van Lieshout or Per Kirkeby. John Armleder, for instants, put an Arne Jacobsen chair in front of his painting and made it an installation about the conservative expectations of buyers of paintings. I think that was a little to simple...
Overall, I would say, the concept of abc is an interesting alternative to the increasingly uniform major brand name art fairs.
by Chris Neuschler
Art Berlin Contemporary
from 7th - 11th September 2011
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